牽絲戲舞蹈教程慢動作_戲與夢的舞臺

　　沉淀在民族血液中的京劇藝術(shù),從民間到宮廷,從古老到現(xiàn)在,風(fēng)風(fēng)雨雨一路走來200多年,經(jīng)歷了時代的變革和藝術(shù)的磨練。這種被稱為“國劇”的藝術(shù),帶著中國古老的文化元素和時代氣息,向世人詮釋著一個歷史與現(xiàn)代故事的前世今生。
　　大幕徐徐打開,就像打開了一扇虛擬世界里的藝術(shù)大門。里面的光與影、點與線、聲與色、靜與動,亦真亦幻,如詩如畫。它穿越了歷史時空,給人們帶來無限的遐想�？諘绲奈枧_上,時而繽紛多彩,時而光線灰暗,不同臉譜、不同服飾的老生,青衣、花旦、小生們輪番出場。他們在濃墨淡彩的聲與形、情與景的故事里,忘情地表現(xiàn)“唱、念、做、打” 的功底,訴說人生的悲歡離合、喜憂哀樂�！�…
　　帷幕后面的世界,雖然光線暗淡,但是一個現(xiàn)實的世界。一張張普通的面孔在施粉著墨之后,都變得平和與超脫起來。因為臉譜是假的,人物是真的;戲是假的,情感是真的。
　　畫著臉譜的人,在臺上演的是真實的戲;不畫臉譜的人,在生活中演的是虛假的戲。走下舞臺,洗盡鉛華的演員恢復(fù)了生活的真實;走出劇場,帶上面具的觀眾,重現(xiàn)了舞臺的虛幻。究竟劇場是舞臺,生活是舞臺;戲是一場夢,還是人生是一場夢?這戲里戲外的人生,亦真亦幻的生活,誰能說清⋯⋯
　　夢里不知身是客,臺上只道戲為真。真實的演員,真實的觀眾,在這真實的舞臺上下,共同編織一出出真實的戲與夢,每個人都得到極大的滿足。正如老人們說的那樣:戲是人生,人生如戲。
　　
　　From folks to palace, from the ancient to the present, having gone through thick and thin for more than 200 years, Beijing opera, which settles in the national blood, has experienced the change of times and furnace of art. At the 15th China Beijing Opera Art Festival in Jinan city of Shandong province, with the ancient cultural elements and breath of times, this kind of Beijing opera art which is called “National Opera”, put on many classics which could be called the perfect combination of traditional Beijing opera and modern art and explain to the world the previous and present life of a historical and modern story.
　　When the stage curtain is drawing open, it seems that a gate of art in a fictitious world is opened. Inside the light and shadow, spot and line, sound and color, silence and motion, being like poetries and paintings, are true and dreamy. They travel through the historical time and space and bring people boundless thoughts. On the spacious stage which is sometimes vivid and colorful and sometimes dark and gloomy, the Old Actor, Black Cloth, Female Lead and Young Actor with different types of facial make-up and in different costumes come on the scene one after another. In the tones and looks with thick Chinese ink and light color and the stories of emotions and sceneries, they perform the abilities of “singing, speaking, performing and fighting” to their hearts’ content, telling the vicissitudes, laughter and tears of life….
　　The world behind the curtain, is a realistic one in spite of the dark light. After make-up, the common faces all become placid and detached. It is because the facial makeup is false yet the character is true, and the drama is false yet the emotion is true.
　　Who wears the facial make-up is performing a true drama on the stage. Who doesn’t wear facial make-up is performing a false drama in the real life. Walking down the stage, the players who have removed their facial make-up return to the reality of life. The audience who walk out of the theater and put on their masks make the vision of stage reoccur. However, is the theater or the life the stage? Is the drama or the life a dream? Who could explain clearly this true and dreamy life in and out of the drama and the life!
　　In the dream people temporarily forget their identities and on the stage the actors take the drama as reality. The real performers and real audience are jointly weaving out real dramas and dreams one after another on this real stage and everyone gets great satisfaction. Just like what the old say: drama is life and life is drama.

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