美麗人生1997電影
發(fā)布時(shí)間:2017-01-19 來(lái)源: 人生感悟 點(diǎn)擊:
美麗人生1997電影篇一:美麗人生 電影英文簡(jiǎn)介
La vita è bella
INTRO
La vita è bella (or “l(fā)ife is beautiful”), a 1997 Italian tragic comedy-drama film ,tells a story of a man named Guido Orefice, a Jewish Italian book shop owner, who dares to find humor and tenderness in the midst of the Holocaust, employing his fertile imagination to shield his son from the horrors of internment in a Nazi concentration camp.
STORY
The film depicts the changing political climate in Italy: Guido frequently imitates members of the National Fascist Party, skewering their racist logic and pseudoscientific reasoning. In the town, Guido survives by quick improvisation. Mistaken for a school inspector, he invents a quick lecture on Italian racial superiority, demonstrating the excellence of his big ears and superb navel.
In 1945, Hitler's anti-Semitism had slithered its slimy way across Europe, tearing apart the Orefice family. Guido and his 5 year old son, Joshua, are packed in to a train filled with desperate souls, towards a concentrate camp. Gazing in to Joshua’s lucent, innocent eyes, instinct stuck him: “this is all a game”, he says to his son.
In the camp, Guido congers up a fictional bubble for his son to live in shielding him from the ruthless truth. In his “elaborate game”, the first one to get 1,000 points will win a tank--not a toy tank but a real one, which Joshua can drive all over town. Guido acts as the translator for a German who is barking orders at the inmates, freely translating them into Italian designed to quiet his son's fears. And he literally hides the child from the camp guards, with rules of the game that have the boy crouching on a high sleeping platform and remaining absolutely still. Guido uses this game to explain features of the concentration camp that would otherwise be scary for a young child: the guards are mean only because they want the tank for themselves; the dwindling numbers of children (who are being killed) are only hiding in order to score more points than Joshua so they can win the game. He puts off Joshua's requests to end the game and return home by convincing him that they are in the lead for the tank, and need only wait a short while before they can return home with their tank.
Despite being surrounded by the misery, sickness, and death at the camp, Joshua does not question this fiction because of his father's convincing performance and his own innocence. Guido maintains this story right until the end when, in the chaos of shutting down the camp as the Americans approach, he tells his son to stay in a sweatbox until everybody has left, this being the final competition before the tank is his. As the camp is in chaos Guido goes off to find Dora, but while he is out he is caught by a Nazi soldier. The soldier makes the decision to execute Guido. Guido is led off by the soldier to be executed. While the soldier is leading him to his death, Guido passes by
Joshua one last time, still in character and playing the game. The next morning, Joshua emerges from the sweatbox as the camp is occupied by an American armored division. Joshua thinks he has won the game because Guido had told him that whoever got to one thousand points would get a tank. The soldiers free all of the captives in the concentration camp and lead them to a safer place. While they are traveling, the soldiers allow Joshua to ride on the front of the tank with them. During their travels, Joshua spots Dora in the procession leaving the camp. Her mother, overwhelmed with happiness and relief, finds out that though after the tormenting experience of the concentrated camps, her son’s heart still remains untainted.
REVIEWS
The movie has stirred up venomous opposition from the right wing in Italy. At Cannes, it offended some left-wing critics with its use of humor in connection with the Holocaust. What may be most offensive to both wings is its sidestepping of politics in favor of simple human ingenuity. The film finds the right notes to negotiate its delicate subject matter. And Benigni, the director and main actor of the film, isn't really making comedy out of the Holocaust, anyway. He is showing how Guido uses the only gift at his command to protect his son. If he had a gun, he would shoot at the Fascists. If he had an army, he (來(lái)自:www.zuancaijixie.com 蒲公 英文 摘:美麗人生1997電影)would destroy them. He is a clown, and comedy is his weapon.
WWII was defiantly a dark period in human history, and that there was nothing "funny" about this evil era that claimed the lives of 8 million innocent people. Yet "Life is Beautiful" was never offensive to me; it is a tribute to hope and love. I just introduced this film to my twelve year old daughters, to inspire them that even during the bleakest of times, the human spirit can triumph over despair.
The movie actually softens the Holocaust slightly, to make the humor possible at all. In the real death camps there would be no role for Guido. But "Life Is Beautiful" is not about Nazis and Fascists, but about the human spirit. It is about rescuing whatever is good and hopeful from the wreckage of dreams, about hope for the future, about the necessary human conviction, or delusion, that things will be better for our children than they are right now.
Extra info:
Part of the film came from Benigni's own family history; before Roberto's birth, his father had survived three years of internment at the Bergen-Belsen concentration camp. The film was a critical and financial success, winning 3 Oscar awards.
美麗人生1997電影篇二:250部世界公認(rèn)的經(jīng)典大片_電影
250部世界公認(rèn)的經(jīng)典大片
一、250部世界公認(rèn)的經(jīng)典大片,大部分是中英文雙字幕,邊看電影邊學(xué)英語(yǔ),還能開闊眼界,為移民做準(zhǔn)備。
二、250部電影 X 60元(上海電影票的價(jià)格) = 1萬(wàn)5000元,為你節(jié)省上海遠(yuǎn)郊1平米的購(gòu)房款,間接打壓房?jī)r(jià)。
三、250部片子看下來(lái),說(shuō)不定你的世界觀都已經(jīng)變了,生活在于經(jīng)歷,而不在于平米,富裕在于感悟,而不在于別墅。
美麗人生1997電影篇三:美麗人生 影評(píng)
愛的力量
——《美麗人生》中主人公的積極心理分析
【影片名稱】《美麗人生》(Vita è bella, La) 【國(guó)家/地區(qū)】意人利
【導(dǎo)演】羅伯托〃貝尼尼 (Roberto Benigni) 【編劇】羅伯托〃貝尼尼 / 文森佐〃克拉米 【主要演員】羅伯托〃貝尼尼/尼可萊塔〃布拉斯基 【上映年月】1997年 【片長(zhǎng)】120分鐘
【獲獎(jiǎng)情況】第71屆奧斯卡最佳男主角、最佳外語(yǔ)片、最佳原創(chuàng)音樂3項(xiàng)大獎(jiǎng)
1939年,第二次世界大戰(zhàn)的陰云籠罩著整個(gè)意大利。
基度是一個(gè)外表看似笨拙,但心地善良憨厚而且生性樂觀的猶太青年。他對(duì)生活充滿了美好的向往。他和好友菲魯喬駕著一輛破車從鄉(xiāng)間來(lái)到阿雷佐小鎮(zhèn),他的愿望是在小鎮(zhèn)開一家屬于自己的書店,過(guò)上與世無(wú)爭(zhēng)的安逸生活。途經(jīng)一座谷倉(cāng)塔樓時(shí),年輕漂亮的姑娘黛麗突然從塔樓上跌落到他的懷中,基度熱情地為她處理傷口,為表示謝意,黛麗送了一些雞蛋給基度,意味深長(zhǎng)地目送他遠(yuǎn)去。
陰云密布的意大利,納粹的反動(dòng)勢(shì)力日益強(qiáng)大,墨索里尼推行強(qiáng)硬的種族歧視政策,基度因有猶太血統(tǒng),開書店的申請(qǐng)屢遭阻撓,得不到批準(zhǔn)。好友菲魯喬的工作也久無(wú)著落。由于生活所迫,基度只好在一家飯店當(dāng)服務(wù)員,他以真誠(chéng)、純樸、熱情周到的服務(wù)態(tài)度贏得了顧客們的喜愛。
一次基度騎車上班無(wú)意中撞倒了黛麗,兩人再次邂逅燃起了基度心中愛情的火焰。他不失時(shí)機(jī)地向黛麗表白愛慕之情。
黛麗是某學(xué)校的教師,有一天從羅馬來(lái)的督學(xué)要到學(xué)校視察,基度得知后,
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竟冒充督學(xué)來(lái)到黛麗所在學(xué)校視察。校長(zhǎng)熱情地接待他,為取悅黛麗,引起黛麗的注意,基度索性跳上講臺(tái)施展起喜劇演員的才華,惹得學(xué)生開懷大笑,令校長(zhǎng)和教師瞠目結(jié)舌。
基度得知黛麗和男友魯?shù)婪蛞≡嚎锤鑴。操I票前往。起初黛麗對(duì)基度的苦苦追求并不在意,但是由于黛麗討厭魯?shù)婪,因此常和基度在一起。魯(shù)婪蛞粠樵傅嘏e辦和黛麗的訂婚晚會(huì)。晚會(huì)正巧安排在基度所在的飯店;惹擅畹厥棍禧惤饷摿唆?shù)婪虻募m纏,因此贏得了她的芳心。黛麗不惜跟父母鬧翻,離家出走,嫁給了基度。
婚后,好事接踵而來(lái),基度夢(mèng)寐以求的書店開業(yè)了,他們有了個(gè)乖巧可愛的兒子祖叔華;乳e來(lái)無(wú)事時(shí)常和兒子玩游戲,一家人生活的幸福美滿?珊萌兆記]過(guò)上幾年,在祖叔華五歲生日這天,納粹分子抓走了基度和祖叔華父子,強(qiáng)行把他們送往猶太人集中營(yíng)。當(dāng)黛麗和祖叔華的外祖母興沖沖地回到家里,只見人去樓空,家里被翻得亂七八糟,黛麗明白了眼前所發(fā)生的一切。
她雖沒有猶太血統(tǒng),但她堅(jiān)持要求和丈夫、兒子一同前往集中營(yíng),黛麗被關(guān)在女牢里,基度不愿意讓兒子幼小的心靈從此蒙上悲慘的陰影。在慘無(wú)人道的集中營(yíng)里,基度一面千方百計(jì)找機(jī)會(huì)和女監(jiān)里的妻子取得聯(lián)系,向黛麗報(bào)平安,一面要保護(hù)和照顧幼小的祖叔華,他哄騙兒子這是在玩一場(chǎng)游戲,遵守游戲規(guī)則的人最終能獲得一輛真正的坦克回家。天真好奇的兒子對(duì)基度的話信以為真,他多么想要一輛坦克車呀!祖叔華
強(qiáng)忍了饑餓、恐懼、寂寞和一切惡劣的環(huán)境;纫杂螒虻姆绞阶寖鹤拥耐臎]有受到任何傷害。
當(dāng)勝利來(lái)臨之際,一天深夜,納粹準(zhǔn)備逃走,基度將兒子藏在一個(gè)鐵柜里,千叮萬(wàn)囑讓祖叔華不要出來(lái),他打算趁亂到女牢去找妻子黛麗,但不幸的是他被納粹發(fā)現(xiàn)了。
納粹分子押著他經(jīng)過(guò)兒子藏身的柜子,他
做了一個(gè)最讓人難忘的鬼臉,然后滑稽地、瀟灑地大踏步地走向前方,還向兒子的方向揮揮手。他清醒地知道他是在走向死亡,可是為了心愛的兒子,他無(wú)所畏懼,他要
讓兒子相信這是一場(chǎng)游戲,他們馬上就要?jiǎng)俪隽。他被押到了一個(gè)角落,兩聲槍響。偉大的父親終于堅(jiān)持到了最后,一個(gè)善良的生命消失了。
天亮了,祖叔華從鐵柜里爬出來(lái),站在院子里,這時(shí)一輛真的坦克車隆隆地開到他的面前,上面下來(lái)一個(gè)美軍士兵,將他抱上坦克。凱歌開始奏響, 兒子戴著頭盔,雄糾糾,氣昂昂。在回家的路上,孩子在被解救的人群中發(fā)現(xiàn)了媽媽。他從坦克上下來(lái),與媽媽緊緊地抱在一起:“媽媽,我們贏了1 000分,真高興!這一切都來(lái)自爸爸的賜予!我們可以坐坦克回家了!”
意大利影片《美麗人生》由羅伯托?貝尼尼自編、自導(dǎo)、自演。它以“二戰(zhàn)”為背景,以極為樂觀的態(tài)度講述了一個(gè)極為悲慘卻散發(fā)著人性光輝的溫情故事。該片獲得包括71屆奧斯卡最佳外語(yǔ)片獎(jiǎng),戛納影展評(píng)審團(tuán)大獎(jiǎng)在內(nèi)的28
項(xiàng)國(guó)際大獎(jiǎng),影片在戛納電影節(jié)試映時(shí),全體觀眾起立鼓掌長(zhǎng)達(dá)12分鐘之久,據(jù)說(shuō)個(gè)個(gè)都是含淚步出影院。
這部電影的技法其實(shí)很平實(shí),沒有多少技巧可言,實(shí)在要說(shuō)的話,那就只有非常傳統(tǒng)的對(duì)比了。導(dǎo)演羅伯托?貝尼尼時(shí)刻都沒有忘記對(duì)比,影片前半部與后半部敘述的格調(diào),不明世事的孩子和面對(duì)戰(zhàn)爭(zhēng)的成人,戰(zhàn)爭(zhēng)和游戲,喜劇手法與悲劇思想等等。他通過(guò)這樣的方式,一次又一次刺在你的心上最不經(jīng)刺之處,一遍又一遍地強(qiáng)迫你的
大腦去跟著他思考,讓你沒有辦法不掉眼淚。
但這又絕對(duì)不是一場(chǎng)悲劇,從一開始基度搞笑的出場(chǎng)就可以看出導(dǎo)演想營(yíng)造一種喜劇的
氛圍,而基度在追求黛麗時(shí)種種離譜的舉動(dòng),特別是冒充從羅馬來(lái)的督學(xué)在課桌上跳起脫衣
舞的情節(jié)將喜劇的因素加強(qiáng)到了鬧劇的程度,
有趣的場(chǎng)面甚至不斷貫穿在集中營(yíng)里,就是基
度最后被押走處死時(shí),出現(xiàn)在躲在鐵柜里的祖叔華面前的也是一個(gè)扮著小丑夸張模樣的爸爸。
那么,以喜劇的手法表現(xiàn)一個(gè)如此感人的故事,是不是在某種意義上削弱了 電影的思想性呢?導(dǎo)演為什么要用這樣的手法來(lái)表現(xiàn)呢?我們可以先來(lái)了解下喜劇的概念。
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喜劇是什么?用戲劇的概念來(lái)闡述,它是以一種諷刺、幽默、夸張的方式通過(guò)丑陋、庸俗、落后的事物的自我暴露來(lái)顯示其荒謬性。魯迅形象地稱“喜劇就是將人生無(wú)價(jià)值的東西撕破給人看”,在美學(xué)上它表現(xiàn)為美對(duì)丑的壓倒和征服。影片為什么要以這種喜劇的手法來(lái)描述那段不堪回首的歲月?我想導(dǎo)演的最終用意是為了表現(xiàn)更深層的思想,而不僅僅只是讓觀眾沉溺在表層的感動(dòng)上!睹利惾松纷罱K是要告訴我們,如何以一種積極的心理態(tài)度來(lái)面對(duì)不幸和災(zāi)難。所以基度不僅讓兒子,同時(shí)也是讓自己相信:所有的一切只是暫時(shí)的一場(chǎng)瘋狂游戲,最后的勝利還是屬于他們:熱愛生活的人們。就算在集中營(yíng)里,基度臉上也始終帶著笑容,在給兒子演戲,沒有發(fā)自內(nèi)心對(duì)生活熱愛的人,是不會(huì)有這種燦爛的、讓人喜悅而充滿力量的笑容的!基度知道噩夢(mèng)是暫時(shí)的,相信美麗的人生才是永遠(yuǎn)的,所以才小心翼翼地呵護(hù)著兒子純潔幼小的心靈。
但如果說(shuō),這部影片只是講述了一個(gè)善良的父親如何保護(hù)兒子心靈健康的故事,那未免
就淺薄了。其實(shí),它所展現(xiàn)的是主人公基度的樂觀精神帶給生活的巨大影響,是無(wú)論在多么險(xiǎn)惡的環(huán)境里,每個(gè)人都該體驗(yàn)到的生命的美好。
可以說(shuō),在那樣一種惡劣的條件下,任何人都是會(huì)產(chǎn)生或多或少的悲觀情緒的。但是,如何在這個(gè)世界上生活,取決于一個(gè)人如何看待這個(gè)世界。著名劇作家王爾德曾經(jīng)說(shuō):“樂觀主義者和悲觀主義者用不同的方式來(lái)看世界。”而心理學(xué)家研究證明,具有樂觀精神的人看待世界的方式的確與悲觀主義者不同。樂觀主義者的思維更充滿幻想力和創(chuàng)造性,他們能從悲觀情緒所帶來(lái)的畏怯中解脫出來(lái),克服現(xiàn)實(shí)生活中所出現(xiàn)的失意、痛苦和打擊。
基度正是秉持著這樣一種樂觀的精神,相信戰(zhàn)爭(zhēng)只是一場(chǎng)短暫的瘋狂游戲,而美好的生活很快就會(huì)降臨。這種精神不僅使他擁有了快樂的人生,也使祖叔華的心靈免受傷害,更使身邊的很多人鼓足勇氣堅(jiān)持到勝利到來(lái)的時(shí)刻。
所以,該片是對(duì)積極心理學(xué)的最好詮釋。積極心理學(xué)家塞里格曼等人認(rèn)為,積極心理學(xué)關(guān)心人的優(yōu)秀品質(zhì)和美好心靈,它有三個(gè)層面的含義:第一、從主觀體驗(yàn)上看,它關(guān)心人的積極的主觀體驗(yàn),主要探討人類的幸福感、滿意感、快樂感,建構(gòu)未來(lái)的樂觀主義態(tài)度和對(duì)生活的忠誠(chéng);第二、對(duì)個(gè)人成長(zhǎng)而言,積極心理學(xué)主要提供積極的心理特征,如愛的能力、工作的能力、積極地看待世界的方法、創(chuàng)造的勇氣、積極的人際關(guān)系、審美體驗(yàn)、寬容和智慧靈性等等;第三、積極的心理品質(zhì)包括一個(gè)人的社會(huì)性、作為公民的美德、利他行為、對(duì)待別人的寬容和職業(yè)道德、社會(huì)責(zé)任感、成為一個(gè)健康的家庭成員。簡(jiǎn)言之,就是三個(gè)維度:愉悅生活(the pleasant life)、責(zé)任生活(the engaged life)和意義生活(the meaningful life)。以研究人類幸福為己任的積極心理學(xué)認(rèn)為“幸福”是一個(gè)科學(xué)所不能窮盡的概念,積極心理學(xué)所認(rèn)可的幸福有三種,這三種幸福并不是獨(dú)立存在,而是相互作用,彼此制約,共同建構(gòu)。
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觀和豁達(dá),他的自我激勵(lì)等,都給妻子和兒子帶來(lái)無(wú)限的溫暖和力量,這就是愛的力
量。
在這個(gè)世界最灰暗的時(shí)候,父親沒有像我們一樣失去希望,他用自己執(zhí)著的愛撫慰了妻子,用美麗的謊言安撫了孩子,最終自己卻獻(xiàn)出了生命。而孩子還沉浸在贏得游戲的興奮中,他不但成功地拯救了妻子和孩子的生命,最重要的是他沒讓孩子感受到這個(gè)世界的灰暗,讓孩子始終感受到這個(gè)世界的美好!
影片最后,一段簡(jiǎn)短的旁白:“這是我的經(jīng)歷;這是我父親所作的犧牲;這是父親賜我的恩典”,讓我們明白,整個(gè)故事,原來(lái)都源于祖叔華成年后的回憶。而片名叫做《美麗人生》,也就是說(shuō),在祖舒華的心目中,那一段回憶是美麗的。多么積極又睿智的父親,讓兒子在最恐怖的歲月里留下與父親一起度過(guò)的最快樂的童年回憶!
我們經(jīng)常會(huì)想幸福到底是什么。積極心理的目標(biāo)是促進(jìn)心理學(xué)的改變,從僅僅專注于修補(bǔ)生活之中的最壞之事,轉(zhuǎn)變到也專注于建構(gòu)生活之中的最佳品質(zhì)。男主角基度的生活目標(biāo)就是把戰(zhàn)爭(zhēng)年代中最糟糕的事情建構(gòu)為帶給兒子的最美麗最善良的“謊言”。所以,幸福與財(cái)富無(wú)關(guān)。幸福的人不一定是富人,一個(gè)窮人也可以是很快樂的。積極狀態(tài)的人不一定富有,但一定是幸福、快樂和樂觀的。
即使是在人類經(jīng)歷最殘酷浩劫的時(shí)刻,人們依然可以保持著超乎尋常的樂觀和積極的人生態(tài)度。那么,當(dāng)今的我們又有什么理由不努力活得豐富多彩呢?感謝生命、珍愛生命。感激自己健康地活著,感激自己是自由的,感激自己還有一個(gè)美好的未來(lái),感激過(guò)去他人贈(zèng)予我們的一切。感謝生活——我們有如此美麗的人生!
幸福的奧秘究竟是什么?現(xiàn)代人為什么經(jīng)常不快樂? 我們應(yīng)該怎樣去迎合我們所處的這個(gè)世界?又該如何去保持生命的最佳狀態(tài),享受我們的美好人生?
結(jié)合影片,請(qǐng)同學(xué)們就以上幾個(gè)問題談?wù)勀愕目捶ā?/p>
相關(guān)熱詞搜索:美麗 人生 電影 美麗人生電影下載 美麗人生意大利1997
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